Alice jumps into the White Rabbit’s call to your stand.
She forgets that she’s got grown larger and knocks on the jury stand, then scrambles to put all the jurors back. Alice claims to know “nothing whatever” about the tarts, that the King deems “very important.” The White Rabbit corrects the King, suggesting which he in reality means “unimportant.” The King agrees, muttering the words that is“important “unimportant” to himself.
The King interjects with Rule 42, which states, “All persons a lot more than a mile high to leave the court.” Everyone turns to Alice, who denies she is a mile high and accuses the King of fabricating the rule. The King replies that Rule 42 may be the oldest rule in the book, but Alice retorts that in case it is the oldest rule within the book, it must be the first rule. The King becomes quiet for a moment before calling for a verdict. The White Rabbit interrupts and declares that more evidence must certanly be presented first. A paper is presented by him supposedly authored by the Knave, though it is not printed in the Knave’s handwriting. The Knave refutes the charge, explaining that there is no signature in the document. The King reasons that the Knave will need to have meant mischief because he would not sign the note like an man that is honest. The court seems pleased by this reasoning, as well as the Queen concludes that the Knave’s is proved by the paper guilt. Alice demands to learn the poem in the paper. Even though the poem seems to have no meaning, the King provides a description and calls for a verdict. The Queen demands that the sentence come before the verdict. Alice chaffs as of this proposal and criticizes the Queen, who calls for Alice’s beheading. Alice is continuing to grow to her full size and bats away the playing cards while they fly upon her.
Alice suddenly paper writers wakes up and finds herself back on her behalf sister’s lap at the riverbank. She tells her adventures to her sister who bids her go inside for tea. Alice traipses off, while her sister remains by the riverbank daydreaming. She envisions the characters from Alice’s adventures, but understands that when she is opened by her eyes the images will dissipate. She imagines that Alice will one grow older but retain her childlike spirit and recount her adventures to other children day.
The chapter title “Alice’s Evidence” refers both to the evidence that Alice gives through the trial, as well as the evidence that she can control by waking up that she discovers that Wonderland is a dream. Alice realizes during the trial so it all “doesn’t matter a bit” what the jury records or whether or not the jury is upside down or right side up. None associated with the details or orientations in Wonderland have any bearing on a coherent or meaningful outcome. Alice’s growth throughout the trial mirrors her growing understanding of the fact that Wonderland is an illusion. She starts to grow as soon as the Mad Hatter bites into his teacup, and she reaches full height during the heated exchange with the Queen when she points out that her antagonists are “nothing but a pack of cards!” Alice exposes Wonderland as an illusion along with her growth to full size is sold with her realization that she’s got a measure of control over the illusion. Once she realizes that Wonderland is a dream, she wakes up and shatters the illusion.
Alice fully grasps the nature that is nonsensical of as soon as the King interprets the Knave’s poem. Alice disputes the King’s tries to attach meaning into the nonsense words of the poem. Her criticisms are ironic, since throughout her travels she has continually attempted to sound right for the various situations and stories she has encountered. Alice finally understands the futility of trying to make meaning out of her adventures of Wonderland since every section of it is completely incomprehensible. This message is intended not merely for Alice but also for your readers of Alice’s Adventures in Wonderland as well. In the same way the court complies utilizing the King’s harebrained readings regarding the poem, Carroll sends a note to people who would try to assign specific meanings to the events. Alice’s Adventures in Wonderland actively resists interpretation that is definitive which is the reason the diversity regarding the criticism written concerning the novella.
The final scene with Alice’s sister establishes narrative symmetry and changes the tone of Alice’s journey from harrowing quest to childhood fantasy.
The reintroduction of the scene that is calm the riverbank allows the storyline to shut as it began, transforming Wonderland into an isolated episode of fancy. Alice’s sister ends the novella by changing the tone of Alice’s story, discounting the nightmarish qualities and favoring a nostalgia that is dreamy “the simple and loving heart of her childhood.” The interpretation that is sister’s Alice’s experience of trauma and trivializes the journey very little more than a “strange tale” that Alice may eventually recount to her own children.